Sunlight: portrait of an American lady

John White Alexander, Sunlight, 1908

John White Alexander was an American painter who began his career as a political cartoonist and illustrator for Harper’s Weekly. Known particularly for his society portraits, he was considered one of America’s foremost artists during his lifetime, but after his death in 1919 he dropped quickly out of fashion.

‘Sunlight’ shows a young woman standing with her back to us, streaks of sunlight raking across her gown. The curve of her neck and the folds of her gown create a graceful sweep; the soft palette and rich tones lend a lyrical quality to a deceptively simple composition. The background is muted, the brushstrokes sketchy; the focus is on the central figure, and the play of sunlight on her gown. It is, I think, quite lovely, both luminous and luxurious, if a little sentimental.

The painting was lauded at the time (it was completed in 1909) for the  ‘Americanness’ of its subject and execution. This was in stark contrast to the self-conscious cosmopolitanism of earlier works painted while Alexander was studying and living in Europe. I’m not sure what makes it  distinctly ‘American’; whether it’s the nationality of the painter or the subject, the style, or the fact that it was painted on American soil. Very probably a combination of all three; America’s artistic identity was still forming, and would not be clearly articulated for some time to come.


Dappled art: Renoir

Nude in the Sunlight
Auguste Renoir, Nude in the Sunlight, 1876

My first trip to Paris was brief; I only had enough time for one gallery. (One! in Paris!) I’ve loved Impressionism since I was a child, so I chose the Musee d’Orsay.

I was not actually a huge fan of Renoir before this visit, although I understood his contribution to the Impressionist movement and had been taught to appreciate his handling of light and his rich colour palette. I quickly discovered reproductions do not do him (or anyone, really) justice. I still find much of his work is not to my taste, but this portrait is an exception: luminous, sensual and timeless.

Self Portrait with Nude: fussing over blushing bottoms

Laura Knight, Self-Portrait with Nude, 2013

Laura Knight was a prolific and successful British artist during her long lifetime (she was 92 when she died), but is now, nearly 50 years after her death, little known outside the art world. Much of her work was until very recently viewed as middlebrow and even a little corny; during her lifetime, as an unashamedly figurative painter in a period dominated by a mostly modernist aesthetic, she was regarded by many of her male colleagues as outmoded; her subject matter commonplace; and her cheerful, flamboyant approach to art and life embarrassing. Continue reading